"The Big Bang"Juan Alonso, 2007ink, graphite / Claybord, unframed: 30 x 30"
I went to see Juan Alonso's new show at Francine Seders Gallery yesterday. The paintings are beautiful. All monochrome graphite and ink with subtly worked backgrounds and tone on tone black. In person you can see the sheen of the solid graphite shapes next to the dullness of the ink-washed shapes. There are lovely calligraphic markings in the background too, which repeat as if they are trying to find the final shapes.
I met Juan when I was in the Washington Artist Trust EDGE professional development program. He was a teacher for part of the program and was particularly inspiring because he has made a successful career as an artist without the benefit of art school.
The show will be up through Nov. 25th.
Monday, October 29, 2007
Thursday, October 11, 2007
Lois Graham Tribute
What I didn't know when I wrote my last post is that Lois was in the hospital. She passed away Tuesday morning, the 9th.
To what I wrote about her, and her artwork, and how she inspired me, I will add that she battled severe health problems for many years. She had debilitating rheumatoid arthritis that was disintegrtating every joint in her body. She had operation after operation, and it was a miracle that she could stand, let alone walk, let alone work so hard at making paintings.
Her immune system was so delicate that it was an infection, minor to most of us, that began the cascade of her organs being finally overwhelmed.
She painted in a large studio two floors above me. Knowing that she was up there every day, and possibly late at night, obsessively making her marks on a canvas, and knowing that she had been doing this for thirty years seemed to me to give a soul and moral direction to this building where several other artists live and/or work.
Several summers ago when I was on the roof garden learning to paint, she stopped to demonstrate a brushstroke. I had been used to making strokes on whole walls and rooms. She showed me how to slow down, and scale down, very small. How to make minute, very soft brustrokes in the oil paint that created a shimmering blended surface. It was a Zen like focus, paying incredible attention to small, small things, that startled me and showed me an intensity that I will always remember and try to emulate.
Thank you to Lois for being passionate and serious about making art.
See http://www.fosterwhite.com for more information.
To what I wrote about her, and her artwork, and how she inspired me, I will add that she battled severe health problems for many years. She had debilitating rheumatoid arthritis that was disintegrtating every joint in her body. She had operation after operation, and it was a miracle that she could stand, let alone walk, let alone work so hard at making paintings.
Her immune system was so delicate that it was an infection, minor to most of us, that began the cascade of her organs being finally overwhelmed.
She painted in a large studio two floors above me. Knowing that she was up there every day, and possibly late at night, obsessively making her marks on a canvas, and knowing that she had been doing this for thirty years seemed to me to give a soul and moral direction to this building where several other artists live and/or work.
Several summers ago when I was on the roof garden learning to paint, she stopped to demonstrate a brushstroke. I had been used to making strokes on whole walls and rooms. She showed me how to slow down, and scale down, very small. How to make minute, very soft brustrokes in the oil paint that created a shimmering blended surface. It was a Zen like focus, paying incredible attention to small, small things, that startled me and showed me an intensity that I will always remember and try to emulate.
Thank you to Lois for being passionate and serious about making art.
See http://www.fosterwhite.com for more information.
Monday, October 8, 2007
Shimmering Dazzling Paintings by Lois Graham
Flux 2007 oil on canvas 32 x 72 in.
Recess 2007 oil on canvas 24 x 24 in.
Twist Stitch 2007 oil on canvas 24 x 48 in.
My neighbor, painter Lois Graham is showing at Foster White Gallery in Seattle. The opening was this past thursday night. These paintings are a concentrated distillation of what she has been doing for many years.
The show is beautiful. The surfaces of the paintings seem to shimmer and dance with points of contrasting colors. I couldn't focus my eyes on the center of "Recess". It's as if they have a sound: a low intense humming vibration.
She is truly an inspiration, at work constantly. Her way of life is painting in her studio. http://www.fosterwhite.com/
What a Difference a Frame Makes
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